Start Who is monica bellucci dating

Who is monica bellucci dating

But it gives her a lead role that feels as if it’s from, as well as for, the ages.

In Michael Davis’s amicably deranged action romp from 2007, she plays a prostitute who specialises in adult breastfeeding, and who ends up helping care for the baby Clive Owen’s expert marksman is trying to protect.

L’Appartement was written and directed by Gilles Mimouni, and it remains, perplexingly and exasperatingly, his only feature film to date.

(Read Robbie Collin's review of The Wonders here.) Choosing Bellucci’s best roles isn’t easy.

It means working out which directors have been able to anchor that supernatural, out-of-time vivaciousness to something real – in other words, to give her something else to do besides stop traffic.

Our first proper view of Alex is a shot of her back as she heads towards the underpass, and there’s a feline control to Bellucci’s movement that the actress may have borrowed from her previous modelling career – her walk is halfway between a strut and a slink.

After the attack, her shuddering terror is a masterclass in physical acting, as angular and wounding as a broken pane of glass.

Among many other things, Catholicism gave Italian cinema its Madonna-whore complex: a compulsion to grade women as either chaste, angelic doves – these ones are often also mothers – or sexually ravenous wildcats.

(For almost two hours of this stuff, see Malèna.) The uneasy upshot is that casting an Italian actress can occasionally be dramatic shorthand for one or the other character type, so when news broke that Mel Gibson had cast Bellucci as Mary Magdalene in his dramatisation of the Passion of Jesus, it made a weary kind of sense.

Bellucci plays Lisa, the former lover of an engaged businessman played by Vincent Cassel, who impetuously ditches a business trip to Tokyo in order to track her down after overhearing her – or at least someone he’s fairly certain was her – behind the opaque glass panels of a phone booth in a restaurant basement.

The film is best-known for being remade in English, very badly, as Wicker Park, and second-best-known as the shoot on which Bellucci and Cassel met. The film toys with ideas from both A Midsummer Night’s Dream and Hitchcock’s Vertigo, and Lisa’s relationship with Romane Bohringer’s elusive Alice – note the mirrored syllables in the two women’s names –becomes the source of near-infinite intrigue.

hen you see her in a creamy white robe, standing in a shallow limestone pool on the edge of the Tyrrhenian Sea, she looks like she’s walking on water.